Chih- yin, Chih-yüeh and Chih-cheng: The Concept of Ti-chih in Confucian Aesthetics of Music

Title

Chih- yin, Chih-yüeh and Chih-cheng: The Concept of Ti-chih in Confucian Aesthetics of Music

Author

Chao-Ying Chen

Page

41-60

DOI

Abstract

This paper attempts to investigate the implication of Ti-chih (embodied knowledge) in Confucian aesthetics of music. In Chinese tradition, the special mode of knowing in musical appreciation can be called Chih-yin which is the aesthetic type of Ti-chih.
This article concerns: 1) Confucius’ experience of musical appreciation; 2) the relationship between "expression" and "mimesis" in musical creation; 3) how to understand the concrete content implied in the artistic form of "expression" or "mimesis;" 4) the interaction between politics and music in Confucian concept of human cultivation.

Keyword

Confucian aesthetics, embodied knowledge

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